Тоже ничего, но там драйва меньше, мне кааца. Горячие английские парни...
И свет невыгодный - не джовинотто там Дом совсем.  :ph34r:

Ну, мало ли как быстро у Дома растёт борода...
А Дом в чалме - это круто! 007

кстати об картинке

Otello with Domingo from Hamburg 1975 complete

October 9th, 1975 (это третий спектакль Дома в виде Отелло)

Inhouse recording, but good sound for the time

Otello: Placido Domingo
Jago: Sherrill Milnes
Cassio: Werner Hollweg
Rodrigo: Heinz Kruse
Lodovico: Harald Stamm
Montano: Herbert Fliether
Herald: Heinz-Jürgen Demitz
Desdemona: Katia Ricciarelli
Emilia: Hanna Schwarz
Conductor: James Levine

http://rapidshare.com/files/22494076/Otell...1975_part_1.zip
http://rapidshare.com/files/22493141/Otell...1975_part_2.zip

Фотка Отеллы классная. Мне очень понравилась.
Супер.

кстати уже сколько лет слышу что существует видео Домика и Мартон в Манон Леско из Мадрида 1977 но никто никогда не выкладывал

Вот еще рецензии.
Чесслово, видимо, одни писали рецензии по спектаклю, а другие по генералке. Просто про разные спектакли речь, такое чувство.
http://www.washingtonpost.com/wp-dyn/conte...7032501220.html
Still, even in the "bad old days," this "Walkure" would have been a smashing success because the singing, at its best, was simply spectacular, world-class on every level. Indeed, I don't know whether the Washington National Opera has ever presented a more thrilling 70 minutes than Act 1, which featured the company's 66-year-old general director, Placido Domingo, as Siegmund and the wonderful German soprano Anja Kampe as Sieglinde in rapturous duet. Their voices -- fresh, lithe and lustrous -- easily filled the hall, but they never sounded strained and there was none of that amped-up shouting that so commonly passes for Wagnerian declamation. A glorious teaming: Exactly what an operatic love duet should be.

и еще
http://washingtontimes.com/entertainment/2...00601-7556r.htm
As Siegmund, star tenor and WNO general director Placido Domingo soars, and is clearly at the peak of his impossibly long and successful career. His characterization of Siegmund as a confused, primal hero is deeply affecting, and his now-classic voice carries effortlessly above the work's considerable orchestral forces

Зиглинда - Аня Кемпе

Отредактировано Витт (2007-03-26 16:13:16)

HI everyone,
Here is an in-house recording of Domingo's unexpected Met debut as
Maurizzo in Adriana Lecourvreur replacing an indisposed Franco
Corelli. At the start of the first file there is the announcement of
the cast change. As in house recordings go the sound is pretty good, a
little bass heavy perhaps, but the music is very clear.
Enjoy
Tim

Metropolitan Opera House
September 28, 1968

http://rapidshare.com/files/22863526/Adriana681.mp3
http://rapidshare.com/files/22863528/Adriana682.mp3
http://rapidshare.com/files/22863529/Adriana683.mp3
http://rapidshare.com/files/22879495/Adriana684.mp3

ADRIANA LECOUVREUR {16}

Adriana Lecouvreur......Renata Tebaldi
Maurizio................Plбcido Domingo [Debut]
Princess di Bouillon....Irene Dalis
Michonnet...............Anselmo Colzani
Bouillon................Morley Meredith
Abbй....................Paul Franke
Jouvenot................Colette Boky
Dangeville..............Nedda Casei
Duclos..................Skiles Fairlie
Poisson.................Robert Schmorr
Quinault................Paul Plishka
Major-domo..............Edward Ghazal
Dance...................Patricia Heyes
Dance...................Tania Karina
Dance...................Carolyn Martin
Dance...................Ivan Allen
Dance...................William Breedlove

Conductor...............Fausto Cleva

Review of Susan Gould in the Columbia [University] Owl

On the evening of September 28th, Placido Domingo, the young Spanish
tenor. made a phenomenal and unscheduled debut as Maurizio in "Adriana
Lecouvreur," the opera in which he was supposed to have appeared on
October 2nd. Imagine Mr. Domingo's delight when the audience responded
with an unprecedented gesture of cheers as it was announced at 8:10 P.
M. that he would replace Franco Corelli, who was indisposed. And
imagine the relief and excitement in the audience as they heard - many
for the first time - the warm, sweet voice of this young man, who has
already sung with many important opera companies such as the New York
City Opera. Mr. Domingo makes an excellent appearance on stage and
added to "Adriana" the much-needed element of involvement on the part
of the hero. He has performed before with Renata Tebaldi, who sang the
title role beautifully, and the warm rapport that existed between the
two made their scenes together all the more moving.

Отредактировано Владимир (2007-03-28 00:16:37)

А этого у тебя не было?!  003

жаль что  фотка без автографа - эх, Ильича рядом не было  001  качаю!

Кролище, спасибище!!!  029
Это ценная вещь!!

А Пиппо порой так смахивает на Домика образца 70-х... просто дежавю какое-то  020 (конечно, это Домик на Пиппо смахивает)

Отредактировано peppi (2007-03-30 22:52:21)